Tag Archives: arts

Rap Down Under: Going All Out with NZ Hip-Hop Artist, Stanley Pedigree

To ‘make people smile’ … this Christmas season
… a new video release by hip-hop artist Stanley Pedigree.

Says Pedigree …

“I like to think of myself as a conscientious rapper…I want my lyrics to mean something, to speak about real life.”

From thedrillmag.com

By Derrick Sims

VIDEO AT THE LINK: https://www.youtube.com/watch?v=zbjxA3laz2M

Outside of our 600 island nation, rapper Stanley Pedigree may not be a household name, but something unique about his style sets him apart internationally, and it’s not just the accent. Stuff.co.nz, the biggest news website in NZ, has called Pedigree’s work “experimental and socially conscious,” but it’s even more than that. “Materialism by and large isn’t the Kiwi way. The prideful, self-centred theme is a hard sell in this part of the world. You’ll receive more ridicule than support with that kind of approach,” said Pedigree in a 2012 interview. “I like to think of myself as a conscientious rapper…I want my lyrics to mean something, to speak about real life.”

Outside of our 600 island nation, rapper Stanley Pedigree may not be a household name, but something unique about his style sets him apart internationally, and it’s not just the accent. Stuff.co.nz, the biggest news website in NZ, has called Pedigree’s work “experimental and socially conscious,” but it’s even more than that. “Materialism by and large isn’t the Kiwi way. The prideful, self-centred theme is a hard sell in this part of the world. You’ll receive more ridicule than support with that kind of approach,” said Pedigree in a 2012 interview. “I like to think of myself as a conscientious rapper…I want my lyrics to mean something, to speak about real life.”

When he began in the late 1990s, Pedigree’s early recordings were typically made in bedroom studios. Local hip-hop artists from Wellington and Palmerston North (Pedigree’s daily stomping ground) would join him and record, burn, and peddle their CDs and music videos to anyone willing to listen and watch.

Pedigree (center-right) with former group Illyspillaz (Photo by Sam Baker)

Later, Pedigree took advantage of arts funding opportunities available in the city and across New Zealand. He and his mates pooled their funds and applied for grants, allowing them to move into proper studios and more easily distribute their work. This art funding also presented the opportunity to do a weekly music-based hip-hop program for “at risk youth.” For four years, Pedigree helped coordinate and run the programme. With positive messaging in his corner and a part-time hairstyling gig on the side, he gathered a following and made an unconventional career out of this unusual, philanthropic, alternative hip-hop.

Pedigree performs at Chile Earthquake Relief Fundraiser 2010 (Photo by Sam Baker)

In 2016, Pedigree decided to study film in an effort to know more about production and to up his music video game. After completing his first year, a new film lecturer from America (that’s me, Derrick Sims) joined the program, and we hit it off both as professionals and as friends. At the time, I’d had a 10yr career as a film director and director of photography, and teaching in a classroom was a bit foreign. There were no resources to draw from, so everything was experimental, and Pedigree was sort of a guinea pig.

Pedigree on the set of The Invisible Woman dir. by Derrick Sims (photo by Matt Dobson)

Fast-forward to 2021, having worked with Pedigree on a handful of film projects, he approached me to direct his next music video, All Out. Over coffees, we threw around ideas landing on one where he and Teva Valentine (the other artist on the track) were two grown men having a 1990s, 8-year-old’s sleepover. That scenario got me excited and made me smile. That was the plan – just make people smile.

On set of All Out with former students Pedigree, Chok, Koolaard, and lecturer Sims (Photo by Sen Ski)

With that, we began. I brought on two former students, Abby Koolaard as First AC and Lawrence Chok as Key Grip on the shoot. That’s a great thing about teaching film – each year you build what you hope will be a good team, and these guys were some of the best I’d had. Production began, and together we created the “conscientious 1990s man-child music video” above.

Quoted earlier about the project, I said, “Being around Pedigree is a treat. It’s like hanging out with a little boy, to be honest. It’s infectious! And the things he raps about are sincere. They’re not sappy; it’s not sentimental. It’s about common experience but in a fun, fresh way. Stan’s not selling you something false or fake. He’s a genuine guy, and it comes across in his work and in his personality. You’ll see it in the video.”

SOURCE: https://thedrillmag.com/rapping-down-under-going-all-out-w-stanley-pedigree/?fbclid=IwAR2O9xKR9AcbQbkfViJXszZC4uVYa78JLR8ejdawsuiHQPFi1xacfVXQt2w

RELATED: RNZ Music with Grant Smithies (Stanley @ 12.26)

A confidential Chamber of Commerce memo in 1971 called for a big business makeover of govt through corporate control of media, academia, the pulpit, arts & science

Thanks to reader Chris for this link…. “Written over 40 years ago by the future Supreme Court Justice Lewis Powell, at the behest of the US Chamber of Commerce, a confidential 6-page memo, a free-market utopian treatise, called for a money fueled big business makeover of government through corporate control of the media, academia, the pulpit, arts and sciences and destruction of organized labor and consumer protection groups. But Powell’s real “end game” was business control of law and politics.”

And it’s all happening isn’t it? Witness the TPPA also. And the ongoing rape & pillage of NZ as lands & assets go west for a song.

EnvirowatchRangitikei

Published on Apr 13, 2016

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